Fleda turned pale, but she faced her companion and smiled. "You confound, Mrs. Gereth, you mix things up. You've only had it from my own mouth that I care for him!" "For you, but not for your eloquence. Do you understand what I mean by the difference?" Mrs. Gereth asked as she stood stirring her tea.!

"Never mind how I feel, and never mind what I say when I'm furious!" Mrs. Gereth still more incisively added. "Of course I cling to you, you wretches, or I shouldn't suffer as I do. What I want of him is to see that he takes you; what I want of him is to go with you myself to the place." She looked round the room as if, in feverish haste, for a mantle to catch up; she bustled to the window as if to spy out a cab: she would allow half an hour for the job. Already in her bonnet, she had snatched from the sofa a garment for the street: she jerked it on as she came back. "Find him, find him," she repeated; "come straight out with me, to try, at least, to get at him!" "Didn't he answer the note in which you let him know that I was in town?" Fleda asked.

"Not a word." Again our young lady reflected. "I think I'm rather glad you didn't." "You've simply, in your extremity, made a delight of her." Fleda took the highest line and the upper hand, and as Mrs. Gereth, challenging her cheerfulness, turned again a lustreless eye over the contents of the place, she broke into a rapture that was unforced, but that she was conscious of an advantage in being able to feel. She moved, as she had done on the previous occasion, from one piece to another, with looks of recognition and hands that lightly lingered, but she was as feverishly jubilant now as she had formerly been anxious and mute. "Ah, the little melancholy, tender, tell-tale things: how can they not speak to you and find a way to your heart? It's not the great chorus of Poynton; but you're not, I'm sure, either so proud or so broken as to be reached by nothing but that. This is a voice so gentle, so human, so feminine—a faint, far-away voice with the little quaver of a heart-break. You've listened to it unawares; for the arrangement and effect of everything—when I compare them with what we found the first day we came down—shows, even if mechanically and disdainfully exercised, your admirable, infallible hand. It's your extraordinary genius; you make things 'compose' in spite of yourself. You've only to be a day or two in a place with four sticks for something to come of it!"